Dissertations from 2005
Public sexuality: a contemporary history of gay images and identity, Shaun Erwin Sewell
An exploration of the roles of Pleribo, Adraste, and Prince Florilame in Tony Kushner's adaptation of The Illusion: a production thesis in acting, Chaney K. Tullos
Dissertations from 2004
The contributions of Floyd Leslie Sandle to black educational theatre in Louisiana, Ava Marie Brewster-Turner
Dissertations from 2003
Contesting for power in public performance: hegemonic struggles in the Louisiana Shrimp and Petroleum Festival, Allen Alford
The role of Killer Joe in Tracy Letts' Killer Joe: a production thesis in acting, Christopher C. Cariker
The novelty of improvisation: towards a genre of embodied spontaneity, David Alfred Charles
Dashiki Project Theatre: black identity and beyond, Stanley R. Coleman
A vivid exploration of Shakespeare's Silvia in The Two Gentlemen of Verona: an MFA production thesis in acting, Debbie A. Fleming
The role of Proteus in William Shakespeare's The Two Gentlemen of Verona: a production thesis in acting, Adam B. Hose
The role of speed in Shakespeare's The Two Gentlemen of Verona: a production thesis in acting, Jennifer Nicole Kelley
The role of Dottie in Tracy Letts' Killer Joe: a production thesis in acting, Elizabeth Jane King
Beyond boundaries: political dictates found in minstrelsy, Florence Lyons-Fontenot
The role of Ansel in Tracy Letts' Killer Joe: a production thesis in acting, Ronald William Smith
The history of Russian vaudeville from 1800 to 1850, Alexander V. Tselebrovski
Dissertations from 2002
Neo-onnagata: professional cross-dressed actors and their roles on the contemporary Japanese stage, William Hamilton Armstrong IV
Performing hyphenates: a study in contemporary Irish-American identity and cultural performance, Patrick Michael Bynane
The Threepenny Opera: designing lights with Brecht a production thesis in theatre design and technology, Brent Landry Glenn
Directing The Threepenny Opera, Alexander G. Harrington
A scenic design process for The Chemistry of Change: a production thesis in theatre design and technology, Stephen E. Haynes
The sound of meaning: theories of voice in twentieth-century thought and performance, Andrew McComb Kimbrough
Nicholas Rowe's writing of woman as feminist hero, Henry Herbert Sennett Jr.
Harper Lee's To Kill a Mockingbird as adapted by Christopher Sergel: a thesis in directing, Andrew Vastine Stabler
Subversive aspects of American musical theatre, Donald Elgan Whittaker III
The Chemistry of Change: a production thesis in directing, Anthony Greenleaf Winkler
Dissertations from 2001
Grave Matter: Contestations in Actress Burial, Christine Courtland Mather
Theatre at Caffe Cino: the Aesthetics and Politics of Revolt, 1958--1968., Wendell Corbin Stone
Theses/Dissertations from 2000
A Cultural Genealogy of the Royal Court Theatre: the Renovation of a Theatre and an Ideal., Stephen Douglas Berwind
Masked Criticism: the Whore and the Breeches Role as Articulators of Sexual Economic Theory in the Intrigue Plays of Aphra Behn., Mary Katherine Politz
Theses/Dissertations from 1999
Reflections of Science and Technology in American Drama From 1913 to 1941., Charles Keith Cockrell
The American Career of Maria Ouspenskaya (1887-1949): Actress and Teacher., Pamela Sue Heilman
Tennessee Williams and New Orleans: Rewriting the Playwright, Rewriting the City., Mark D. Zelinsky
Theses/Dissertations from 1998
Creativity and the Cathartic Moment: Chaos Theory and the Art of Theatre., Robert E. Brooks
Arthur Miller in Montreal: Cultural Transfer of American Plays in Quebec (1965-1997)., Bernard Lavoie
Passion Plays in the United States: The Contemporary Outdoor Tradition., Charlene Faye Monk
Theses/Dissertations from 1997
Tickets to His Head: Larry Gelbart (1928-) as Writer and Adaptor., Jules Adolphe Malarcher III
Theses/Dissertations from 1996
"I Am Contemporary!": The Life and Times of Penny Arcade., Matthew Sheridan Ames
Theses/Dissertations from 1995
Aphra Behn and Susanna Centlivre: A Materialist-Feminist Study., Amy Margaret Atchley
John Guare: In Search of America., Kenny Clifford Gannon
The American Stage Careers of Fredric March and Florence Eldridge., Vicki Jo payne Parrish
Theses/Dissertations from 1994
The Career of Lola Montez in the American Theatre., Sara Elizabeth Gotcher
Theses/Dissertations from 1993
Voices From Home: Familial Bonds in the Works of Horton Foote (1916- )., Marion Dean Castleberry
Children of a Lesser Education: Contemporary American Drama and Multiculturalism., Walter Holton Placzek
Christianity and Social Power in the Works of John Arden, British Dramatist., Donald Travis Sandley
Theses/Dissertations from 1992
Codependency Issues in Selected Contemporary American Plays., Jill Stapleton Bergeron
The Theatre of Religion: Jimmy Swaggart Within American Myth Discourse., Terry Grant Byars
Theses/Dissertations from 1989
Musical Theory and Practice in the Stage, Film, and Non-Theatre Collaborative Works of Bertolt Brecht and Hanns Eisler, 1930-1956., Philip Lee Craik
A Catalyst for Change: The Libretti of Jean -Philippe Rameau's 'Tragedies en Musique', (1733-1764)., Jonathan Philip joseph Radvan
Theses/Dissertations from 1988
Ada Rehan: American Actress (1857-1916). (Volumes I and II)., Aileen Alana Hendricks-wenck
New Female Playwrights in the American Theatre, 1973-1983: a Critical Analysis of Thought in Selected Plays., Joyce Williams O'rourke
A History and Daybook of the English Language Theatre in New Orleans During the Civil War. (Volumes I and II)., Paula June Thompson
Theses/Dissertations from 1982
The Lady from the Sea by Henrik Ibsen : A Production Thesis in Scene Design, Mark E. McCann