Identifier
etd-0419102-085015
Degree
Doctor of Philosophy (PhD)
Department
Theatre
Document Type
Dissertation
Abstract
Neo-Onnagata: Professional Cross-dressed Actors and Their Roles on the Contemporary Japanese Stage explores the representation of male and female gender in the contemporary Japanese theatre. I particularly discuss a specialized subset of Japanese actor: the neo-onnagata, a contemporary theatre counterpart to Japan's highly stylized classical kabuki tradition of cross-dressed representation. This dissertation represents my attempt to provide these basic aims: to situate the contemporary Japanese cross-dresser in Japanese tradition, to show how cross-dressing acts as a sharp social commentary and mirror, and to introduce some little-represented cross-dressing actors of the contemporary Japanese stage to the academic community at large. In addition, I examine the conservative gender role system of Japan and demonstrate how the neo-onnagata challenge traditional performance and sex roles. Particularly, I seek to showcase neo-onnagata as expanding opportunities for male actors and as new gendered models for men.
Date
2002
Document Availability at the Time of Submission
Release the entire work immediately for access worldwide.
Recommended Citation
Armstrong IV, William Hamilton, "Neo-onnagata: professional cross-dressed actors and their roles on the contemporary Japanese stage" (2002). LSU Doctoral Dissertations. 1446.
https://repository.lsu.edu/gradschool_dissertations/1446
Committee Chair
Leslie A. Wade
DOI
10.31390/gradschool_dissertations.1446