Comparative Woman

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Beyond the Madrasah: Digital Pedagogies and Nigerian Yoruba Muslim Women's Engagement with Islamic Knowledge
AbdulGafar Olawale Fahm

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Magpies, Bridge and Goddess: Unearthing the Hidden Symbols and Rediscovering the Lost Goddess in Chinese Qiqiao Festival
Juan Wu

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Feminist Phenomenology and First-Person Narrative: Understanding Gender and Social Conflict in Anna Burns’ Milkman
SUSHREE ROUTRAY and Rashmi Gaur Professor

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Mapping Gender and Territory: The Continent Allegories on European World Maps from the Late Middle Ages to the Renaissance until the Early Enlightenment
Katharina Eva Oehmichen

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From Sensibility to Critical Engagement: Sympathy, Animality, and Subjecthood in Wollstonecraft’s Maria and Vindication
Yingnan Shang

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Against Conflict, Against Occupation: Protest Songs in India and Kashmir
Mridula Sharma

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Pedagogical Escapism and Western Performativity: A Psycho-Aesthetic Critique of Belly-Dance Adaption Symbolics
Maryam Farahani

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Madness as Response to Inherent Cultural Conflicts in Anglophone Fiction from 1700 to 2020
Anna Klambauer

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"Too immoral to be narrated by a woman": Censoring Erotic Fiction of Arab Women Writers in Girls of Riyadh and Distant View of a Minaret and Other Stories
Muhammed Salem

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THE QUEST FOR SELF: USING MANDALA ART IN REFLECTIVE PRACTICE JOURNALING
kathleen quinn