Identifier
etd-08152016-183210
Degree
Doctor of Philosophy (PhD)
Department
Comparative Literature (Interdepartmental Program)
Document Type
Dissertation
Abstract
This comparative study asserts the centrality of spirituality to literature that explores life in the African Diaspora. Specifically, it emphasizes the importance of spirituality both to the authors and to the lives of their characters in the novels Victoire, les saveurs et les mots (2006) by the Guadeloupian author Maryse Condé, Camwood at Crossroads (2007) by Nigerian author Femi Euba, and El color del verano (1991) by Cuban author Reinaldo Arenas. A close reading of the three novels shows that they are representative of autohistoría literary works, which represent the spirituality of the writer, as well as the people written about. Importantly, this comparative study identifies narrative strategies and techniques in African Diasporic writing, such as the expression of collective memory, satire, and choteo, as modes of analysis, recognition, and resistance to oppression. Each novel is, therefore, an example of subaltern self-representation that resists cultural hegemony and gives voice to groups that have been historically silenced. Each author’s spirituality informs the will to understand, to redefine, and to transform oppressive social relations in societies inhabited by the characters. Uniquely, this comparative study avoids universalizing characters experiences with oppression and demonstrates that many forms of oppression are unique to specific groups of people and may not be experienced universally. The implication of this finding is that advocates of human liberation must listen, understand, and dialogue across groups to achieve their goals.
Date
2016
Document Availability at the Time of Submission
Secure the entire work for patent and/or proprietary purposes for a period of one year. Student has submitted appropriate documentation which states: During this period the copyright owner also agrees not to exercise her/his ownership rights, including public use in works, without prior authorization from LSU. At the end of the one year period, either we or LSU may request an automatic extension for one additional year. At the end of the one year secure period (or its extension, if such is requested), the work will be released for access worldwide.
Recommended Citation
Bolton, Lázara, "(Re)Writing History in Maryse Condé, Femi Euba, and Reinaldo Arenas" (2016). LSU Doctoral Dissertations. 4383.
https://repository.lsu.edu/gradschool_dissertations/4383
Committee Chair
Otero, Solimar
DOI
10.31390/gradschool_dissertations.4383