Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera
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Description
Focusing on Verdi's French operas, Giger shows how the composer acquired an ever better understanding of the various approaches to French versification while gradually bringing his works in line with French melodic aesthetic. In his first French opera, Jérusalem, Verdi treated the text in an overly cautious manner, trying to avoid prosodic mistakes; in Les Vêpres siciliennes he began to apply more freedom, scanning the verses against some prosodic accents to convey the lightheartedness of a melody; and in Don Carlos he finally drew on the entire palette of prosodic interpretations. Most of Verdi's melodic accomplishments in the French operas carried over into the subsequent Italian ones, setting the stage for what later would be called operatic verismo. Drawing attention to the significance of the libretto for the development of nineteenth-century French and Italian opera, this text illustrates Verdi's gradual mastery of the challenges he faced, and their historical significance.
Link to Catalog
LOC Call Number
ML410 .V4 G53 2008
ISBN
9780521878432
Publication Date
2008
Department
School of Music
Publisher
Cambridge University Press
City
Cambridge
Recommended Citation
Giger, Andreas, "Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera" (2008).