Semester of Graduation
Master of Fine Arts (MFA)
The School of Theatre
Through design and technical work, the collaboration between the areas of Sound and Costume Design have been minimal. When these areas interact, it is usually for the small notes, like the shoes are too loud, or the jewelry is too much. However, in the following chapters I will propose a way to deepen the collaborative relationship between Sound and Costume through a prototype named the Sound Glove.The Sound Glove has been developed through researching previous products, researching for materials, constructing a budget, developing applications of the Sound glove and then creating a prototype. With these steps, the following chapters will show the areas of collaboration that Sound and Costume Design can begin to develop or be created.
Arends, Emma E., "Sound Glove: A Development in Collaboration" (2021). LSU Master's Theses. 5269.
James L. Murphy