Submissions from 2024
Exploring the Range of Voice Research, Rockford Sansom
Inviting Self-Directed Learning into the College Voice Classroom, Rockford Sansom
Practitioner Research in Voice Studies, Rockford Sansom
Voice: A Interdisciplinary Field and a Field unto Itself, Rockford Sansom
Voice Research Reflections: Tips for the Artist-Scholar, Rockford Sansom
Submissions from 2023
Braver Angels: Performing Comity in a Polarized Era, John Fletcher
Creating Costumes for Devised Theatre, Kyla Kazuschyk
Submissions from 2022
Embracing the Interdisciplinary and Global Nature of Voice Studies, Rockford Sansom
Framing the “Vocal Traditions” Series, Rockford Sansom
Voice and Identity, Rockford Sansom
Voice Training through "The Mirror and the Lamp", Rockford Sansom
Submissions from 2021
Being Baffled Is [Not] a Virtue, Rockford Sansom
The “So What” of Voice Research, Rockford Sansom
The Voice Trainer as Curator: Avoiding the “Curse of Expertise”, Rockford Sansom
Sporting Performances: Politics in Play, Shannon L. Walsh
Submissions from 2020
Pedagogy, performativity and ‘never again’: staging plays from the Terezín Ghetto, Lisa Peschel and Alan Sikes
“Making Voices Heard”, Rockford Sansom
Celebrating the Twentieth Anniversary of the Voice and Speech Review, Rockford Sansom, Rena Cook, Julia Guichard, Jeff Morrison, Mandy Rees, and Lynn Watson
Sporting performances: Politics in play, Shannon L. Walsh
Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout, Shannon L. Walsh
Submissions from 2019
Answer the Question: Generational changes and gaps in voice training, Rockford Sansom
History of Voice Pedagogy: Multidisciplinary Reflections on Training, Rockford Sansom
Voice Teacher Certification and Research: Relationships and Trends, Rockford Sansom
Submissions from 2018
Deepfakes, artificial intelligence, and some kind of dystopia: The new faces of online post-fact performance, John Fletcher
Submissions from 2017
Denouement: Notes on the end(s) of activism, John Fletcher
Performativity and the persistence of the golem legend, Alan Sikes
"The Odéon is open": Performative politics and the Paris 1968 uprising, Alan Sikes
Books from 2016
The Best American Short Plays: 2015-2016, William W. Demastes
Books from 2013
Preaching to Convert: Evangelical Outreach and Performance Activism in a Secular Age, John Fletcher
Submissions from 2009
Of minutemen and rebel clown armies: Reconsidering transformative citizenship, John Fletcher
Books from 2008
Branding Texas: Performing Culture in the Lone Star State, Leigh Clemons
Submissions from 2007
Tasteless as hell: Community performance, distinction, and countertaste in hell house, John Fletcher
Books from 2005
Poetics of the Creative Process: An Organic Practicum to Playwriting, Femi Euba