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Submissions from 2024

Exploring the Range of Voice Research, Rockford Sansom

Inviting Self-Directed Learning into the College Voice Classroom, Rockford Sansom

Practitioner Research in Voice Studies, Rockford Sansom

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Voice: A Interdisciplinary Field and a Field unto Itself, Rockford Sansom

Voice Research Reflections: Tips for the Artist-Scholar, Rockford Sansom

Submissions from 2023

Braver Angels: Performing Comity in a Polarized Era, John Fletcher

Creating Costumes for Devised Theatre, Kyla Kazuschyk

Submissions from 2022

Embracing the Interdisciplinary and Global Nature of Voice Studies, Rockford Sansom

Framing the “Vocal Traditions” Series, Rockford Sansom

Voice and Identity, Rockford Sansom

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Voice Training through "The Mirror and the Lamp", Rockford Sansom

Submissions from 2021

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Being Baffled Is [Not] a Virtue, Rockford Sansom

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The “So What” of Voice Research, Rockford Sansom

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The Voice Trainer as Curator: Avoiding the “Curse of Expertise”, Rockford Sansom

Sporting Performances: Politics in Play, Shannon L. Walsh

Submissions from 2020

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Pedagogy, performativity and ‘never again’: staging plays from the Terezín Ghetto, Lisa Peschel and Alan Sikes

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“Making Voices Heard”, Rockford Sansom

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Celebrating the Twentieth Anniversary of the Voice and Speech Review, Rockford Sansom, Rena Cook, Julia Guichard, Jeff Morrison, Mandy Rees, and Lynn Watson

Sporting performances: Politics in play, Shannon L. Walsh

Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout, Shannon L. Walsh

Submissions from 2019

Answer the Question: Generational changes and gaps in voice training, Rockford Sansom

History of Voice Pedagogy: Multidisciplinary Reflections on Training, Rockford Sansom

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Voice Teacher Certification and Research: Relationships and Trends, Rockford Sansom

Submissions from 2018

Deepfakes, artificial intelligence, and some kind of dystopia: The new faces of online post-fact performance, John Fletcher

Submissions from 2017

Denouement: Notes on the end(s) of activism, John Fletcher

Performativity and the persistence of the golem legend, Alan Sikes

"The Odéon is open": Performative politics and the Paris 1968 uprising, Alan Sikes

Books from 2016

The Best American Short Plays: 2015-2016, William W. Demastes

Books from 2013

Preaching to Convert: Evangelical Outreach and Performance Activism in a Secular Age, John Fletcher

Submissions from 2009

Of minutemen and rebel clown armies: Reconsidering transformative citizenship, John Fletcher

Books from 2008

Branding Texas: Performing Culture in the Lone Star State, Leigh Clemons

Submissions from 2007

Tasteless as hell: Community performance, distinction, and countertaste in hell house, John Fletcher

Books from 2005

Poetics of the Creative Process: An Organic Practicum to Playwriting, Femi Euba