Degree

Doctor of Musical Arts (DMA)

Department

Music

Document Type

Dissertation

Abstract

This study explores the opera San Antonio, ¡de cabeza! (Saint Anthony, upside down!), examining its cultural and musical significance in Ecuadorian folklore and its integration of traditional Ecuadorian genres to create a nationalist opera that is also grounded in operatic traditions. The figure of Saint Anthony of Padua is explored, tracing the origins of his legend and its influence on Ecuadorian folklore, with a focus on how these elements are represented in the opera. The life and career of the composer are discussed, emphasizing academic background, and the development of San Antonio, ¡de cabeza! within the context of his broader body of work, El tríptico Quiteño. The study also delves into the rich musical heritage of Ecuador, identifying traditional musical styles woven into the opera and analyzing how they are integrated into the score. Additionally, the blending of operatic genres within San Antonio is examined, highlighting how the composer fuses Ecuadorian cultural elements with operatic conventions. This work demonstrates the composer’s innovative approach in creating a distinctive musical narrative that reflects Ecuador's cultural identity.

Date

3-26-2025

Committee Chair

Bade, Lori

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